Digital Textuality Spring 2011

The story of two classes, one undergraduate, one graduate, and their journey to investigate shifts in textuality enabled by digital and networked tools and environments.

  1. The goal with these courses is to both analyze and produce digital textuality.  As the instructor I had a really difficult time articulating my vision and explaining how the various assignments would all come together into theoretically-informed, student-produced multi- or transmedia portfolios.  So I developed a map to visualize how things connected.

    I think next time around I might actually turn this map into the official syllabus.
  2. Because the classes ask a lot of students - to use tools other than writing to compose ideas with media they have not yet mastered, it is important to me to have everyone's buy-in and to really establish the learning environment as a space for which everyone is responsible.

    Right away we started out by crowd-sourcing course material.  We collaboratively decided upon criteria for assignments and also worked together to choose a book, around which the portfolios will be organized. 
  3. #digitaltext Topic Response Poll closes today at 5pm. 13 people left to vote - still anyone's game. ow.ly/3KLJB
  4. #digitaltext Looks pretty clear on which book we will be reading for class.
  5. Not surprisingly, the notion of digital textuality takes on layers as even many of the course texts are available in digital format.
  6. Ha! We hooked one! @academicdave gets involved in discussions of the Author/author and brings Foucalt's author function into the mix. 

    It is really difficult for me to stay out of these conversations.  It's a wonderful exercise in online restraint!
  7. @producerarose a lot of people use Barthes to talk about hypertext, digitaltextuality, but I think one also has to use Foucault
  8. #UTDallas website says school will be closed tomorrow as well. Be sure to check homepage for updates.
  9. Ugh! Ice storm shuts down campus for two days, one of them being one of the days that the graduate class is supposed to meet.  There is no cushion built into this syllabus so outright canceling isn't really an option.  Rather than trying to coordinate everyone's schedules for one makeup session, I offered three options for making up the meeting - online chat during regular class meeting time, shortened meeting in person on campus a  few days later, or attending the undergrad class.
  10. Much like the subzero windchills, the chat rooms were an "invigorating" experience.  The only way to make it work was to divide students up into different rooms and put them in charge of the conversation - I loved that aspect of it.  But it was difficult for me to juggle the five discussions happening at once.  Ultimately I think it worked well for an occasional meeting type, but I wouldn't want to run all classes that way.
  11. Week four (and rescheduled week 5 for grads) brought about the start of the tool workshops.  As it turns out, students have time to listen to at least 2 presentations before using workshop time to experiment with the tools. 

    Tagxedo seemed to be an immediate hit and lots of students immediately started experimenting:
  12. Visualization from Alice in Wonderland by M.M.
  13. Tagxedo - hacked together my own example. 2011 SOTU on top of archtype shot of Obama. #digitaltext yfrog.com/h420mp
  14. A Tagxedo of "In My Veins" by Andrew Belle - messing around with visualizations of words for #digitaltext twitpic.com/3xvo38

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Kim Knight

Playing in the giant sandbox that is the Emerging Media and Communication program at University of Texas, Dallas.

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